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Art --- anno 1400-1499 --- anno 1300-1399 --- Prague --- Art, Gothic --- Art, Medieval --- Art gothique --- Art médiéval --- Exhibitions --- Expositions --- Charles --- Art patronage --- Art médiéval --- Medieval art --- Gothic art --- Christian art and symbolism --- Carlo, --- Carlo --- Karel --- Karl --- Karolus Quartus, --- Exhibitions.
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This unusual anthology focuses attention on art-historical practice. Each of the eighteen distinguished contributors--medievalists specializing in western European, Byzantine, and Islamic art--offers an interpretation of a single object, and in the process demonstrates how art historians go about describing, analyzing, and contextualizing works of art. The essays treat a broad range of artifacts in many media and together present a conspectus of current approaches to visual analysis, speaking to such crucial topics as medieval sign theory, visual rhetoric, replication, mimesis, and cultural interconnections within the medieval world. The volume will serve a wide audience, from specialists in the field to scholars in cognate disciplines to students interested in the craft of art history. Elizabeth L. Sears is Associate Professor of the History of Art, University of Michigan. Thelma K. Thomas is Associate Professor of the History of Art and Associate Curator of the Kelsey Museum, University of Michigan.
Iconography --- anno 500-1499 --- Art, Medieval. --- Symbolism in art. --- Art médiéval --- Symbolisme dans l'art --- Art, Medieval --- Symbolism in art --- Allegory (Art) --- Art -- Symbolism --- Art -- Symbolisme --- Art [Medieval ] --- Kunst -- Symboliek --- Kunst [Middeleeuwse ] --- Medieval art --- Middeleeuwse kunst --- Signes et symboles dans l'art --- Signs and symbols in art --- Symboliek in de kunst --- Tekens en symbolen in de kunst --- Art médiéval --- Art --- Iconographie --- Moyen Age
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symbolism [artistic concept] --- iconography --- Iconography --- typology --- History of civilization --- anno 500-1499 --- Art médieval --- Art médieval --- Art et symbolisme chretiens --- Christelijke kunst
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Painting --- anno 1400-1499 --- anno 1500-1599 --- High Rhine --- Graphic arts --- Art [Renaissance ] --- Germany --- Rhine River Valley --- Exhibitions --- Art [Medieval ] --- Art [German ] --- Art [Swiss ] --- Switzerland --- Art [French ] --- France
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L'apparition de l'estampe constitue un phénomène majeur pour l'histoire et l'art en Occident. Au tout début du XVe siècle, artistes et graveurs expérimentèrent diverses techniques - principalement la xylographie, la gravure sur métal en relief et la gravure au burin - permettant, par l'impression d'une matrice gravée et encrée sur un support, de créer et de diffuser des images multipliables à l'identique. Si les estampes circulèrent très vite partout en Europe, les régions germaniques en furent le foyer originel, bien avant que cette invention ne fût transposée dans le domaine de l'impression des textes par Gutenberg dans les années 1450. En articulant deux fonds français d'une importance majeure - la collection de la Réserve du département des Estampes de la Bibliothèque nationale et la collection Rothschild du département des Arts Graphiques au musée du Louvre -, cet ouvrage présente les différentes étapes de l'évolution de l'estampe, ses acteurs, ses modalités de production, ses rapports avec les autres arts et ses usages, depuis les toutes premières gravures sur bois en Allemagne en 1400 jusqu'au début de la carrière de Martin Schongauer, graveur rhénan qui changea fondamentalement le statut de l'estampe au sein des arts. --Louvre éditions
Graphic arts --- anno 1400-1499 --- Europe: North --- Prints --- Art, Medieval --- Christian art and symbolism --- Exhibitions --- 76 <48> "14" --- 76 <064> --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 76 <48> "14" Grafische kunsten. Grafiek. Prentkunst--Skandinavië--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--Skandinavië--15e eeuw. Periode 1400-1499 --- Prints - Europe, Northern - 15th century - Exhibitions --- Art, Medieval - Exhibitions --- Christian art and symbolism - Exhibitions
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gerechtigheidstafereel --- History of the law --- Laatste Oordeel --- rechtvaardigheid --- Iconography --- History of civilization --- oordeel van Salomo --- anno 1200-1799 --- Belgium --- Art --- Belgique --- België --- Kunst --- Kunstnijverheid --- Métiers d'art --- Justice in art. --- Symbolism in art --- Art, Flemish --- Art, Medieval --- Courthouses --- -Art, Medieval --- -Courthouses --- -Art, Flemish --- -Justice in art --- 7.046 --- 7 <06> --- Flemish art --- County courthouses --- Court-houses --- Public buildings --- Medieval art --- Allegory (Art) --- Signs and symbols in art --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<06> --- 7 <06> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<06> --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Justice in art --- Art - - 16th century - - Flanders --- Art, Medieval - - Flanders --- Courthouses - - Flanders --- Symbolism in art - - Belgium --- schepenhuizen --- kunst --- Peinture flamande --- Sculpture flamande --- 14e-16e siecles
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Music --- Dutch literature --- symbolism [artistic concept] --- Semiotics --- 'De Hooiwagen-triptiek' (Bosch) --- peddlers --- Bosch, Jeroen --- anno 1500-1599 --- Art médiéval --- Bosch, Hiëronymus --- Bosch, Jérôme --- Middeleeuwse kunst --- literatuur --- Middelnederlandse literatuur --- iconografie --- Bosch, Jheronimus --- Bosch, Hieronymus --- Criticism and interpretation --- Bosch, Jheronimus. --- literatuur, Nederlanden --- Middelnederlands
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09 <082 ALEXANDER, JONATHAN JAMES GRAHAM> --- 091.31 --- 091 "04/14" --- 091.31-05 --- 091.31-05 Miniaturisten --- Miniaturisten --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 091 "04/14" Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- 09 <082 ALEXANDER, JONATHAN JAMES GRAHAM> Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--ALEXANDER, JONATHAN JAMES GRAHAM --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--ALEXANDER, JONATHAN JAMES GRAHAM --- Festschrift - Libri Amicorum --- Illumination of books and manuscripts, Medieval. --- Illumination of books and manuscripts, Renaissance. --- Alexander, J. J. G. --- Art, Medieval --- Art, Renaissance --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Renaissance --- Renaissance illumination of books and manuscripts --- Painting, Medieval --- Renaissance art --- Medieval art --- Alexander, Jonathan James Graham --- Manuscripts. Epigraphy. Paleography --- Painting --- anno 1200-1499 --- anno 1500-1599 --- Art, Medieval. --- Art, Renaissance. --- Alexander, Jonathan
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sepulchral monuments --- Sculpture --- Painting --- medicine [discipline] --- heaven --- hell --- Iconography --- History of civilization --- funerals --- illness --- anno 500-1499 --- anno 1500-1599 --- 393 "04/14" --- Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers--Middeleeuwen --- Exhibitions --- hell [doctrinal concept] --- 393 "04/14" Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers--Middeleeuwen --- Death --- Social aspects --- Europe [Northern ] --- History --- To 1500 --- 16th century --- Death in art --- Art [Medieval ] --- Themes, motives --- 933 --- dood --- Middeleeuwen --- middeleeuwen --- Moyen Age
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During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, commonly called a "model" (or exemplum in latin), was used to record the form and content of works of art. Some of those drawings have survived in albums or "model books". The author discusses the many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. The period extends to the fifteenth century, when artistic reproduction by mechanical means made its appearance. The introduction addresses such complex issues as the views of contemporary writers on the position of the visual arts in medieval thought and society, the development of labour-saving devices, the transition from drawing after earlier prototypes to the growing tendency to work from nature, and the "emancipation" of the model in the early Renaissance. The extensive "catalogue raisonné" of extant model books directs the reader to more specific problems. The appendix summarises what little is known about the role of models in Byzantine art.
History --- pattern books --- Art --- anno 500-1499 --- Drawing --- Manuscripts. Epigraphy. Paleography --- Europe --- Artists' preparatory studies --- Drawing books --- Drawing, Medieval --- Etudes préparatoires d'artistes --- Cahiers de dessin --- Dessin médieval --- Sources --- 091.31:75.056 --- 091:083.76 --- -Drawings, Medieval --- Medieval drawing --- Books --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Verluchte handschriften: techniek --- Modelboeken--(handschriften) --- Artists' preparatory studies. --- Drawing books. --- Sources. --- -Verluchte handschriften: techniek --- 091:083.76 Modelboeken--(handschriften) --- 091.31:75.056 Verluchte handschriften: techniek --- -Books --- Drawings, Medieval --- -Preliminary sketches (Art) --- Etudes préparatoires d'artistes --- Dessin médieval --- Art, Medieval --- Arts --- Dessins et modèles. --- Peinture et dessin d'animaux --- Dessin médiéval. --- Étude et enseignement. --- tekenboek
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